A couple of weeks ago, Todd and I went to see The Ruins and were the only two people in the theater. Normally, Todd doesn’t like to be the center of attention, but with some gentle coaxing I was able to capture some rare and candid shots of Todd in the lobby. I expect a Miley Cyrus-like reaction from him almost immediately. Continue reading Todd At The Movies: A Super-Sexy Pictorial
Review – Harold & Kumar Escape From Guantanamo Bay (2008)
Why the hell am I so happy?
Today was a day like any other day. I spent most of the day in the car. I had to dress up like a frog for a commercial audition. After that proud moment, on my way back to my car, I walked by another car filled with young girls and when they got a good look at me one of them said in an extremely audible fashion, “Hell, no!” (I wasn’t making an overtures. But she really wanted me to know, anyway.) Continue reading Why the hell am I so happy?
Review – The Forbidden Kingdom (2008)
’21’ Scribe To Adapt ‘Money’
NEW YORK — “21” scribe Peter Steinfeld will adapt the lottery scam memoir “Money for Nothing” for Warner Independent Pictures, Michael De Luca Prods. and Tobey Maguire’s Maguire Entertainment.
WIP optioned Edward Ugel’s wry take on his experiences talking lottery winners into taking lump-sum cash payments against their future earnings — and pocketing a good chunk of change for himself in the process.
De Luca’s Alissa Phillips and ME’s Mark Ross will oversee the project for their companies. WIP creative executive Richard Gold will oversee for his studio.
Ugel’s HarperCollins book, subtitled “One Man’s Journey Through the Dark Side of Lottery Millions,” was published in September.
Next, Steinfeld will adapt the biography of Coinstar founder Herbert T. Ackerman, “8 9/10 Percent Of Nothing.” Following that, Steinfeld is slated to work on a big big-budget thriller about the troubled history of the two-dollar bill.
After that, he’ll write a big-screen version of how I once won four hundred dollars on a video poker machine.
Commentary #22 – Road House (1989)
Swayze. Elliott. Boobs. Few words encompass the greatness that is American cinema more than these, and few films possess all three qualities at once. Road House is such a film. Join the Film Pigs as they relive the wonder of a late 80s action masterpiece, complete with all the mullets and pleated pants one could want. Marvel as they give voice to their shared crush on the ultimate man that is Sam Elliott. And, as always, please enjoy the boobs. (IMDb)
SPECIAL NOTE: Please forgive the minor distortion in the recording. Sam Elliott’s mustache simply overpowered our weak, mama’s boy microphone. We are rightfully shamed. Please forgive us Sam!
TO SYNC WITH MOVIE: Start this commentary 10 seconds after starting movie.